Topper (1937)

George Kerby, a wealthy businessman, played by Cary Grant, has a way to enjoy his life. His lifestyles are complimented by his wife Marion Kerby, played by Constance Bennett.

This life contrasts to that of Cosmo Topper, played by Roland Young, who leads a much planned and scheduled life. He is the chairman of a bank of which George is one of the board members.

Controlled mostly by his wife Clara, Cosmo Topper leads a life of mechanical routine, something he cannot change and is forced by his wife to dictate matters in every matter of his life.

George and Marion, fuelled by the energetic adrenaline, die in a car accident. To enter the passage of heaven, they must do some good deeds. So they are turned into ‘transparent ghosts.’

Topper is upset to hear the news of Kerby’s death. He buys the Kerby’s car and meets with an accident when excited by its speed, loses control of the vehicle. The Kerby couple introduces themselves to Cosmo. Cosmo Topper becomes a target to gain entry to heaven. Marion looks set to change Cosmo’s life.

A lot of laughs in the next part of the story, mainly the mess Cosmo Topper gets into because of the pranks played by Marion and George.

As a result of his newfound spontaneity, Cosmo’s popularity increases and attracts many social invitations.

The comical scenes are well shot throughout the movie. The hotel scene, lipstick mark on Cosmo’s cheek, Clara Topper gets annoyed with Cosmo’s new found lifestyle, Marion tempting Cosmo, Jealous George wanting to settle scores with Marion and Cosmo, the dog house detective scene, the car being driven with no driver and many more.

The movie culminates when Cosmo is getting treated in hospital after he meets with an accident. Clara promises him not to be dominant in the future. Kerby’s bid goodbye to Topper as they head towards the gates of heaven.

Released in 1937, Topper was adapted from a novel by ‘Thorne Smith,’ directed by Norman Z McLeod. This was the first black and white movie to be ‘colorized’ in 1985.

It earned two Oscar nominations – Roland Young for Best Supporting Actor and Best Sound Recording.

The Aweful Truth (1937)

This movie will be remembered as the first Cary Grant movie I ever picked up. Unlike his other classics, this movie doesn’t have a great story, but if one went back to the era of the 1930’s I am sure the theme of the film would have reflected the mood of many people, especially after their marriage.

 He stars as a husband who ends up having differences with his wife, played by Irene Dunne. The plot begins with the introductory scene itself and what happens later is a series of funny conversations and situations that kept me going till the end of the movie.

Cary Grant, who makes every attempt to ruin his wife’s future marriage prospects by continually interfering in her personal life while both wait for the divorce, played the role of a married bachelor to perfection.

Irene Dunne compliments the same to upset Cary’s prospects. Since I am a big fan of Cary Grant, I would say this movie was the first to showcase his comic persona, which became his trademark as he became a legend in the world of cinema.

This movie is about married couples, their differences, divorce, J factor, etc.

Released in 1937, The Awful Truth starring Cary Grant, Irene Dunne, Ralph Bellamy, to name a few, was voted as the best screwball comedies of the 1930s. This effort also won director Leo McCarey the best director Oscar.

For Fashion pundits, this movie is stylish concerning its outfits, especially the one worn by Irene Dunne in the first scene.