Marilyn Monroe, in her own words!!

Last year in the Fact Food section of Qwizzeria, I mentioned the most famous ‘Happy Birthday’ song the history has ever witnessed. It was Marilyn’s rendition to President JFK.

That fact, accompanied by the video (available on YT) on the FB page of Qwizzeria, remains popular today, shared and commented by people from all over the world.

It tells me about the impact Marilyn Monroe continues to have even to this day, and there is something magical about the Happy Birthday song, which happened to be her last public appearance.

The night of 19 May 1962 remains memorable even after fifty-five years. Among the large crowd gathered, with several artists, top brass politicians, and influential business people, Marilyn stood out when she entered the stage.

If JFK brought in flair, youth, and a fresh swagger into politics, Marilyn generated awe and had an aura that could not be fathomed.

Their union could have been the tale of the century; instead, it remained a fantasy that soon enveloped into tears as it was rumored the president overlooked Marilyn and passed her on to his younger brother Bobby.

The TV series MAD MEN, which chronicles the life of advertising and its personnel from the 1960s, has quite a few episodes that showcased JFK and Marilyn Monroe’s impact.

Leaving the drama aside, it is a well-known fact that Marilyn never forgave the Kennedy brothers for the way they treated her.

In the end, Marilyn remained a plaything for the rich Kennedy boys. There is nothing wrong with having dreams, and Marilyn’s heartbreak ensured the Cinderella dream is just for the storybooks. As quoted in the series Mad Men, the research showed, people preferred Jackie Kennedy as the ‘wife’ and not Marilyn.

I am not sure how the world has changed; however, women have greater rights, and their voices are heard much better than in the ’60s. Nevertheless, when cornered to an emotional cage, you choose to fight or fade away from the limelight. The latter chose Marilyn or the other way?

Months before her untimely death, Marilyn Monroe gave one of her best interviews to George Barris, a photographer and a good friend of hers. She talked about her life, the time when she was smitten by the movie ‘The Wizard of Oz’ –

“I remember seeing Judy Garland in The Wizard of Oz. I sat there in a trance until my worried mother came to take me home. I asked her if there was another world out there or if it was just my imagination. Could dreams come true? I wondered, Are the movies a make-believe land, just an illusion?”

And, if there were any truth to what happened to Owen Wilson in the movie ‘Midnight in Paris’, I would have loved to visit the Hollywood of the ’50s.

A conversation with Marilyn would be a bargain I settle for.

Though the glamour made her iconic, Marilyn knew it was demanding and believed she was in the wrong era – “I believe I am in the wrong era,” Marilyn was frank about the Hollywood she knew. “For example, many would pay me watch and for what? My body? Is that all I have got? I believe I have an excellent sense of humor, and I am underutilised.”

So, what era would she have belonged to?

“I love the 30’s. The glamour, the attention, it was less complex, demanding,” she would go on talking about the leading ladies of that era. “Jean Harlow, Carole Lombard, Joan Crawford, Bette Davies, Greta Garbo, Mae West, Irene Dunne, Myrna Loy, Ginger Rogers, Jean Arthur, Rita Hayworth, Gloria Swanson, Marlene Dietrich, Rosalind Russell, Loretta Young…. and they are just the handful of them; all were glamorous in their own way.”

I agree with what she quoted. I have watched hundreds of movies belonging to the ’30s and 40’s – there was a mystic to the way actors and actresses went about their skills. The fuss over glamour was less, and the natural beauty came to the fore.

Should I blame the gruesome war and the after-effects of the way people began defining ‘glamour’? After all, a natural brunette had to be a blonde to become famous, and Marilyn was an example when she started in the film industry –

“During my modelling days, I was a brunette. Miss Emmeline Snively, who then ran the most extensive model agency in Los Angeles, kept insisting I become a blonde. But I refused; I didn’t want to bleach my hair. But she kept telling me, “Norma Jeane, if you expect to go places, you’ve got to be a blonde. ”

And the name…… Norma Jeane didn’t appeal, and Marilyn Monroe was born after a screen test with the Fox studios.

“I became Marilyn Monroe only after getting a contract from Fox Studios. Ben Lyon, who was the talent scout, suggested the name ‘Marilyn’ and my legal guardian, Aunt Grace inspired me to choose my mother’s maiden’s name ‘Monroe.'”

The name has remained fresh and alive with memories, stories, quotes, and rumors about who ‘Marilyn Monroe’ really was.

George Barris’s interview gives a sneak peek into her mind and her thought process devoid of glamour.

And then within days after sharing parts of her life, she was gone…. this time forever. And I am not sure she completed the two books (Captain Newman and To Kill a Mockingbird) she was reading at the time of the interview.

In her own words, she said, “I’m thirty-six years old. I’m just getting started. I want to work. Acting is my life…. I’m not the girl next door, I’m not a goody-goody, and I am not a victim of emotional conflicts. I am human.”

She would have been 91, had seen been alive! Happy Birthday, Marilyn!

(Quotes sourced from Marilyn’s interview with George Barris, Her Life In Her Own Words)

#MarilynMonroe and her Iconic Photo

Marilyn Monroe, and her most famous photo that caused ripples, generated a media wave previously unheard of in Hollywood. The image captured is a part of a scene that was meant to be fun and innocent. What transpired, in reality, was far from it.

When I first looked at this photo, I was in my teens and instantly captured by Marilyn Monroe’s aura. After watching nearly all her movies, many years later, I got to know her via books and documentaries. I realised there was a story, a pivotal one, that would change her life in totality.

There comes a time in one’s life when you have to pick a direction while at the crossroads. For Marilyn Monroe, the Seven Year Itch was the movie as the events unfolded during the making paved the path she would take in her remaining years.

The movie’s success took Marilyn Monroe to the peak of her powers as an actress and made her Hollywood’s most significant sex symbol. This meant Marilyn no longer had to rely on ‘dumb blonde’ roles. She had the liberty to choose her career path, an opportunity Marilyn didn’t let pass.

Playbill Script
The smash-hit Broadway play ‘The Seven Year Itch’ by George Axelrod

The movie ‘The Seven Year Itch’ was based on George Axelrod’s 1952 famous Broadway play about a married man who has an affair with an attractive upstairs neighbour. The play was a hit, and it was slated to run continuously for three years. Many in Hollywood were eager to cash in the play’s popularity and make a movie out of it.

The movie industry in the 50s did not enjoy artistic freedom and was overlooked in the theatre. The plot of Seven Year Itch in its original form would have been rejected by the Hays Office (censor board for Hollywood). The play was a success yet provocative enough for many Hollywood studios to back out and not risk the Hays Office’s wrath.

Billy Wilder, the Oscar-winning movie maker, was known for his skills to circumvent the Hays Code and yet make mass movies on controversial topics. Remember the film, The Major and the Minor, Double Indemnity, The Lost Weekend, and Sunset Boulevard?

He purchased the play from George Axelrod, and the game was set to motion. Twentieth Century Fox won the bid to produce the movie as they had Marilyn Monroe in their roster.

On the back of successes such as Niagara, Gentlemen Prefer Blondes, and How to Marry a Millionaire, Marilyn was touted as Hollywood’s most famous sex symbol. Among others, she was featured on the cover of the first-ever Playboy magazine.

The first ever issue of Playboy magazine in 1953

The selection of the character ‘Richard Sherman’, who was to appear opposite Marilyn Monroe, was a tricky one. The name was quintessential, and even man, straight, average, and not necessarily handsome. A lot of A-list Hollywood actors were not considered as a result.

Tom Ewell, who had successfully played Richard Sherman on Broadway, won the role. The odd-pairing of Ewell and Marilyn was to be showcased as the ultimate man’s fantasy.

The Seven Year Itch - 1955
Photo by Moviestore/REX (2254495e)

Sam Shaw, a world-famous photographer-producer and friend of the famed Hollywood director Billy Wilder, came up with the famous skirt lifting scene. He approached the producer, Charles Feldman, who agreed the idea would be sensational – giving great publicity and zest to the movie. Feldman discussed it with director Billy Wilder, George Axelrod, the screenwriter, and Marilyn Monroe. They all said, “Let’s do it!”

When the Seven Year Itch began filming in September 1954, Marilyn Monroe was no longer the movie industry’s greatest sex symbol. She was the world’s most famous newly-wed. Her marriage to baseball’s icon Joe DiMaggio made global headlines. His career with the New York Yankees was over while Marilyn’s career had just started.

Marilyn Monroe with  Joe DiMaggio

“Joe had understandable, somewhat old-world ideas about women staying at home, having babies, and dressing rather demurely. But that isn’t what Marilyn wanted. Marilyn wanted a career.” – said Donald Spoto, one of the many biographers of Marilyn Monroe.

On 15 September 1954, due to an advance issue released by Fox’s publicity team, many fans and photographers had lined up to witness the proceedings. Little did anyone know, they were about to see history being made, Marilyn Monroe’s most iconic scene and a signature shot that is revered to this day. On the flip side, the unfolded events also drew curtains to her marriage with Joe DiMaggio.


The now-iconic scene was scripted this way: Tom Ewell and Marilyn came out of the Trans-Lux movie house on Lexington Avenue. It was a night scene. It was a warm September evening, and they stopped on a subway grating; when a train would pass by, the air could cool Marilyn off.


Marilyn was wearing a sheer-white, billowy sleeveless dress. When the subway train roared by, it would send up a blast of cool air. There was a subway grating there all right, but everything else was make-believe. No train passing by, but the air blowing up was done by the special-effects people stationed underground with a wind-blower machine. This sent Marilyn’s dress flying waist-high, revealing her legs and white panties. As a precaution, she wore an additional layer of underwear.

A crowd had gathered even though it was early in the morning. They consisted mostly of men who somehow had heard about the late-night film-making. Among the crowd was Joe, Marilyn’s husband, and his famous friend, Broadway columnist Walter Winchell.

At first, it was all innocent and fun, but when Billy Wilder kept shooting the scene over and over, the crowd of men kept on applauding and shouting, “More, more, Marilyn – let’s see more.”

Joe became upset, mostly when the director’s camera kept coming in, focusing only on Marilyn’s privates. Luckily, she had been wearing two pairs of panties, hoping nothing would show through.

The whistles and the yelling from the male audience became too much for Marilyn’s husband. It was like a burlesque show. What was to be a fun scene turned into a sex scene, and Joe, angry as could be, turned to Winchell, shouting, “I’ve had it!” And the two men took off.

Once those retakes were done, Marilyn turned to Wilder and said, “I hope all these extra takes are not for your Hollywood friends to enjoy at a private party.” Marilyn couldn’t imagine them showing such a scene, especially such a close-up of her private area, in a comedy film made for the family audience.

The re-shot scene at a Hollywood studio

Marilyn was right. When they returned to Hollywood, the scene was re-shot at the studio in a more refined way. The footage that was shot on that night in New York never saw the light as it had issues with the sound recording.

The posters and publicity created hype around the scene; however, the Hays Office had the final say, and the end product was nowhere close to the sensation it made on the wee hours of 15 September 1954. Watch the re-worked scene here

One of the posters released for publicity

Apart from the Hays Code, other organisations such as the National Legion of Decency had the power to influence millions of church-goers (Catholic) not to watch movies that were condemned by the Legion.

Gerald Gardner, an author and film historian, explained their behaviour – “People like Marilyn Monroe are always a threat to the moralists and establishment who were trying to protect their fellow men against an excess of passion.”

He added – “There is no doubt that when you can cast a charismatic, appealing and sensual personality like Marilyn Monroe, you are bringing a lot to the film. True, he (Billy Wilder) lost the adulterous relationship, true he lost Axelrod’s wittiest lines – but in place of that he did have Marilyn Monroe.”

Although the movie became a success, the famous skirt lifting scene proved fatal for Marilyn’s relationship with Joe DiMaggio. Joe admitted he still loved her but Marilyn being a movie star was too much for him to take any longer. He became impossible to live with. At that time, there was nothing left for them to do but get divorced.

Marilyn with her attorney Jerry Giesler minutes before the divorce announcement

The movie wrapped up the shooting in November and was released on June 1, 1955, on Marilyn Monroe’s 29th birthday. On the back of even bigger publicity, any Hollywood movie had ever received up until that point, the massive success of the film catapulted Marilyn’s career to newer heights.

Sam Shaw’s idea was great publicity for the film. The photo of Monroe’s dress flying sky-high made every newspaper, every magazine in the world. For the film’s premiere showing at New York’s Loew’s State Theatre, its four-story building facade was covered by an artist’s rendition (52 feet) of that famous dress-blowing scene.


The blonde image of Monroe was all people thought about her. She didn’t like it, and in the next few years, she was involved in more serious projects that showcased her versatility. Marilyn had achieved a stardom that granted her the right to pick the directors and a say in scripting.


It has been close to 54 years since Marilyn’s abrupt death. I was born three decades after her death; I have remained a big fan of hers for over a decade. Her manner of death has divided opinions to this day and the real story, well, I believe it went with Marilyn. And, all we are left with are those beautiful memories.

Happy 90th, Marilyn!